Patrick Lynch and Others
Dialogue and Imagination: Conversations with Architects
2027
Softcover Book
£15 (forthcoming 2027)
Dialogue and Imagination is a study of the character of creativity. The book is in two parts: the first brings together a number of conversations between the architect Patrick Lynch and some of the most interesting thinkers of our age. Participants in these conversations include Rafael Moneo, Peter Zumthor, Joseph Rykwert, Francesco Venezia, Jeanette Kuo, Birkin Haward, Tom de Paor, John Meunier, Jessica Reynolds, Craig Hamilton, Timothy Hill, Dalibor Vesely, Joseph Rykwert, Kate Mackintosh, Tony Fretton, Tim Waterman, plus Aaron Peters and Stuart Vokes. The second part of the book is a critical reflection on the role of empathy in poetic imagination, drawing on John Keat’s famous term “negative capability”. Oxford professor of English Johnathan Bate suggests that: “As in Immanuel Kant’s theory that the Beautiful, in contrast to the Agreeable and the Good, is disinterested, a creation born of negative capability is its own self, free from the imposition of the artist’s own identity.” (Bright Star Green Light, 2021). Dialogue and Imagination takes this assertion seriously and seeks to test it further in the author‘s reminiscence of conversations with six clients held over the past three decades. In each case, something unexpected emerged in dialogue, transcending the original brief in a way whereby creativity resembles how Keats defined ”Negative Capability, that is, when man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.” The influence of Keat’s theory of poetic empathy is clearly evident in the work of novelists like F. Scott Fitzgerald, Bates reveals. The question this book poses is, might it also offer us a way to think about the architectural imagination today, and in particular the relationships between the natural world and human artifice, and poetics in general?
The conversations cover wide ground. As dialogues between creative colleagues, questions recur concerning the role of history, drawing and teaching in an architect's life. Also, the influence of literature and painting upon the architectural imagination, as well as the role of theology, science and philosophy in imaginative design work. These topics are discussed with candor and an unusual degree of frankness. What emerges, Tom de Paor suggests, is an alternative history of the recent past of modern architecture: a richer, more nuanced, and more honest account than you normally encounter today.





















